Here is a statement of my ethics and coverage policies. It is more than most of you want to know, but, in the age of suspicion of the media, I am laying it all out.
I have 401K and IRA accounts, as well as an account with a private wealth manager, that invest in a wide-ranging basket of stocks, over which I have no knowledge or control. I do not invest in any technology stocks or other companies that I cover.
I have a stake in Bowles Farming, my family’s cotton and alfalfa farm in the Central Valley. I do not plan to write anything about farming, no matter how many times you beg.
I don’t do paid consulting, speaking, writing or video work for the companies or industries I cover or accept travel or accommodations from them.
This site and our conferences are owned by Revere Digital. Revere has two minority investors: The NBCUniversal News Group, which is owned by Comcast; and the investment firm Windsor Media, owned by former Hollywood executive and Yahoo CEO Terry Semel.
In addition, Pinterest executive Joanne Bradford is an independent board member of Revere, for which she has received a small amount of stock in Revere that vests over a number of years.
My posts have total editorial independence from these investors and also Bradford, even when they touch on products and services these companies produce, compete with, or invest in. The same goes for all content on Re/code and at our conferences. No one in this group has influence on or access to the posts we publish. We will also add a direct link to this disclosure when we write directly about the companies.
Nellie Bowles was most recently a business writer for the San Francisco Chronicle, reporting on tech and zeitgeist. She started at the paper as an intern and was hired as a staff writer for the Style section.
The sixth-generation San Franciscan studied at Columbia University, receiving degrees in comparative literature and psychology, magna cum laude and a Rhodes finalist, before completing a Fulbright Fellowship in Swaziland. While abroad, Nellie freelanced for Foreign Policy and the Mail & Guardian, as well as doing multimedia work for The New Yorker.